In the ‘90s, Wong’s movies anticipated the 1997 handover in remarkable personal terms. Wong’s movies have never directly engaged with such infringements on civil liberties, but they do capture a sense of isolation and displacement through a profound lens, bringing an intimate perspective to the fragile state of Hong Kong identity through the ages. Last week, China enacted a new security law that enables the government to charge activists for “subversion” of the government, a vague edict that enables authorities to prosecute everything from protest chants to fliers hanging in local businesses. Last year, protests erupted across the region in the face of an extradition bill that allowed the mainland to prosecute Hong Kong residents for violating the country’s more stringent freedom of speech laws. Supposedly, Hong Kong’s status would be up for renewal in 2047 - hence the dystopian noir context of Wong’s eerie 2004 effort “2046” - but China couldn’t wait that long. Oscars 2022: Best Costume Design PredictionsĪfter it was freed from British oversight in 1997, Hong Kong became a “special administrative region” of China, with the idea of “One Country, Two Systems” ensuring its autonomy. 'Blossoms Shanghai' First Footage: Wong Kar-Wai's Upcoming TV Series Promises a Stunning Epic Both stories present a beautifully atmospheric look at modern urban life and romance, with its combination of isolation and casual, unexpected meetings.Wong Kar Wai to Release 'In the Mood for Love' Footage That's Never Been Seen Before The strange woman decides to regularly clean and redecorate the man's apartment in his absence, allowing the two to form a close intimacy without meeting face to face. The second story explores the odd relationship between a female restaurant worker and another recently jilted police officer. His sad isolation is transformed when he encounters a beautiful, mysterious femme fatale, whose involvement with the criminal underworld proves troublesome for both. The first centers on a depressed cop struggling to come to terms with a recent break-up. Director Wong Kar-Wai plays freely with traditional narrative structure, dividing his film into two loosely connected segments.
A Hong Kong fast food restaurant acts as the link between two unusual stories of police officers in love in this eccentric, stylish comedy-drama.
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